Wednesday, October 27, 2010

Blog Entry 3.2 Shakespeare: "Macbeth" (Judi Dench) - sleepwalking scene


This video appealed to me not only because of how well a job the actors did to bring the scene to life but also because it showed all the different dimensions within the scene and within Lady Macbeth. The scene begins with a holy woman and a man of the lord waiting and conversing about Lady Macbeth. The holy woman denies the man of her knowledge of what Lady Macbeth has been saying during her sleepwalking episodes, right as Lady Macbeth enters. She enters the darkness of the room holding a lit candle, takes a seat and begins to attempt to wash the blood off of her hands. There is no actual blood on her at this moment but it shows the state of her collective unconscious, not allowing her to forget what has been done or move on. Lady Macbeth is clearly in an abnormal condition throughout the scene, you can really begin to see how her feelings and thoughts seem to turn against her, forcing her into a state of self-destructive misery.
Afterwards, Lady Macbeth confesses of the horrors that she and her husband had been committing themselves to, she then exits the room leaving the holy man and women practically terrified of what they had just witnessed.
            There were two main sets of contradicting symbols found in this scene; light vs. dark and water vs. blood. In reality there is not much to be gathered from these words; Light being a type of illumination and dark being a lack of light, but if you were to look deeper into these symbolic words and what they could represent one would find that light and dark has been connected to good and evil and a less famous connection, but more appropriate, consciousness and unconsciousness or awareness and ignorance. Throughout the play, Lady Macbeth always wanted to stay within the darkness and now during these times of vulnerability she has a candle by her at all times showing that she is no longer oblivious; instead she has become enlightened and realized the seriousness of the crimes that she had helped commit.
            As for water vs. blood, water being pure liquid hydrogen and oxygen, and blood being a red body fluid, there is much more to be understood by these symbolic words. Water represents purity and blood represents impurity, guilt and murder. So the action of Lady Macbeth attempting to wash her hands free of blood with the water is an attempt of hers the purify her guilt and wash it from her mind, so she can continue living with herself in better form than she hardly is now.
            The character portrayed in this scene would most likely fit a combination of both the collective unconscious and the vulnerable archetypes. Lady Macbeth is sleepwalking and crying of her cursed bloody hands, the fact that she is asleep at the time is a direct connection with the collective unconsciousness that got built up over time collecting getting stronger and harder to contain. The only reason that I bring the vulnerable archetype into the description of Lady Macbeth in this scene is because she was extraordinarily strong throughout the play, until now, she is showing exactly how vulnerable and weak she truly is on the inside.
           

Thursday, October 21, 2010

Blog Entry 3.1


          This is a picture taken from a modernized version of the Shakespearean  play "Macbeth". I believe this was the part of the play when Lady Macbeth's guilt began to catch up with her. After her and Macbeth had murdered several people in order to cover up her initial assassination of the early king, she began to show signs of insanity. She would constantly attempt to wash herself free of blood that was not actually there. She was obviously subconsciously filled with guilt and so, wile attempting to wash off the imaginary blood, I think she was just trying to clear herself of what she had done. Upon realizing that this would never happen she was believed to have committed suicide to finally let her spirit rest in peace or at least to put herself out of the misery that she had created for herself.
          Lady Macbeth is either being haunted and some how taunted by a supernatural power or she is paranoid to the point of dillusional sleepwalking. The mind is a powerful thing, it can make things happen subconsciously and bring them to a reality. One thing that really sticks out in my mind about this picture is that Lady Macbeth seems extremely surprised to find herself covered in blood, this makes me wonder if perhaps she too was under some type of spell or if she was just so simple minded  that she thought the spell was real. Then i think of how brutally must they have massacred these people to have their blood dripping from her face. I see a more shocked impression upon her face than a regretful one which leads me to believe that she was an evil person, but then again what type of evil person would be haunted by their conscience? In conclusion I can see Lady Macbeth as both a good woman under a spell and a good woman that thought she was under a spell due to her subconsious guilt which shows how sorry she feels for what she helped her husband accomplish.
     

http://www.google.com/imgres?imgurl=http://dctheatrescene.com/wp-content/uploads/2008/03/macbeth-366-spot.jpg&imgrefurl=http://dctheatrescene.com/2008/03/03/macbeth-3/&usg=__XD5qV6JTG3r1AUT7XsStyog_Iew=&h=197&w=240&sz=70&hl=en&start=41&sig2=g29GKqMKTMpJQQae5a7CdQ&zoom=1&itbs=1&tbnid=XLoMimMUWx1pOM:&tbnh=90&tbnw=110&prev=/images%3Fq%3Dscenes%2Bfrom%2Bmacbeth%26start%3D40%26hl%3Den%26sa%3DN%26gbv%3D2%26ndsp%3D20%26tbs%3Disch:1&ei=JHrATOCKJ8b9nAeZzeCfCg

rambler: Warrior Archetype

rambler: Warrior Archetype: " Always felt i should be fighting for what is right. That good will always prevail over evil, right will triumph over wrong. I look at t..."

Diamond ENG 102: Blog Entry 2.2: Warrior Archetype

Diamond ENG 102: Blog Entry 2.2: Warrior Archetype: "It is reasonable to say that most everyone has a little amount of warrior spirit inside of them. As living organisms, it is impossible to su..."

Blog Entry 2.2 Warrior Archetype

The warrior archetype

This archetype is very much associated with the passage from boyhood to manhood. Warriors have massive amounts of physical strength, the ability to protect, defend, and fight for their rights. Warriors are also described as invincible and loyal. A warrior’s energy represents the height of physical power and toughness of their will and spirit. The warrior is unbreakable and a large part of the warrior archetype is to fight to the death.
             I chose a picture from the movie 300. The 300 brave Spartans represent the warrior archetype perfectly. This movie was based off a story about 300 Spartans facing certain death while fighting for their rights and protecting their land and families. In the story, the Spartan children were sent out into the wild to live off of the nature and eat the wild animals they have killed wile protecting themselves. If they are able to return to their village after a certain amount of time they are said to be strong enough both mentally and physically, to stay and represent their people. This represents the passage from boyhood to manhood. As the story continues you find that the Spartans are a breed of pure warriors, made to fight for whatever they feel is right, and there is nothing more honorable to them then to die in battle. In this picture you notice the Spartans pushing and fighting back the Persian forces. They seem to be some type of invincible force that is not to be reckoned with, which is why I believe they resemble the warrior archetype so well.
I feel that I can relate to the warrior archetype in certain ways. I am a physically and mentally strong person with a great amount of heart. I am always the one to stick up for my own as well as my friends’ rights and honor. I tend to get into a lot of fights, both mentally and physically. I’m not sure whether they are drawn toward me or if I am drawn toward them but either way I am always proud of my decisions win or lose. 

http://www.reelnow.com/blog/

Blog Entry 2.1

Christina Rossetti (1830-1894) was an English poet, who was born in London and belonged to a family of writers and artists. She began writing poems in 1845 and later on, she was often published in her brother’s Pre-Raphaelite journal The Germ. Rossetti was very religious, which was reflected in both her written work and her personal life. She was engaged twice, both times the marriages were called off due to religious conflicts (her first fiancĂ© converted to Roman Catholicism and her second love, not so much fiancĂ©, wasn’t a Christian). Rossetti’s life was not an easy one, plagued by her own illness and her father’s. Her father’s retirement in 1853 put a lot of pressure on the Rossetti family to be able to sustain themselves and Christina reportedly suffered from depression during these hard times. This is perhaps why she, along with the other two Rossetti women (Christina’s mother and sister), became so interested in the
            “The Goblin Market” was one of Rossetti’s most famous poems, which was published in her book Goblin Market and Other Poems in 1862. This work is what ranked her among the most important female Victorian poets.
The plot of this poem is pretty extensive. It begins with the goblin merchants listing all the fruits that they have to sell to young maidens. Then, two sisters by the names of Lizzie and Laura are introduced, who go to the stream every evening to collect water. While they were collecting water, the girls heard the shouts coming from the goblin market trying to persuade the girls to come taste the goblin fruits. Laura was intrigued by the goblin merchants, while Lizzie urged her sister not to listen or pay attention to them. Laura, however, was too curious about the splendid fruits that the goblin merchants offered to heed her sister’s warnings. When Lizzie ran off home and Laura stayed behind, the goblin merchants came to Laura and tantalized her with their fruits. Laura told the merchants that she had no money to buy any of their fruits, but they agreed to trade some fruits in exchange for a lock of her hair and a tear. She passionately indulged in the in the flavors of the fruits and after walked home by herself. When Laura returned home, she was met at the gate by Lizzie. Lizzie reminded Laura the dangers of being out so late, warning her once again of the goblin merchants and the story of a girl named Jeanie who died after eating their fruits. Once inside the house, the sisters curl up together in the bed that they shared and went to sleep. The following day, Laura’s mind was too preoccupied with the thought of getting more fruit to think of anything else. However, when the sisters returned to the stream that evening to collect water as they usually do, Laura could no longer hear the cries from the merchants for her to come buy some fruit. Being unable to get more of the fruit and suffering from withdrawal of not having the fruit, Laura becomes physically ill and mentally depressed. One day, Laura remembered the seed that she brought home from her night at the goblin market and planted it with hope of harvesting the fruit herself, but nothing grew. Her condition got much worse over time, to the point where she stopped doing her housework and wouldn’t eat. Lizzie, unable to bear her sister being near death, decided to visit the goblin market so she could get some of the fruit for Laura. Upon entering the market, all the goblins got very excited and crowded around Lizzie, trying to get her to eat their fruit. Lizzie asked to purchase some fruits to bring home to Laura, but the goblins refused to let her leave the market with the fruits and insisted that Lizzie eat them there. The goblins became very hostile when Lizzie denied the fruit and began to try to force the fruit into Lizzie’s mouth. She kept her lips closed while the goblins covered her in fruit juices and pulp while physically beating her. Eventually, the goblins got weary and frustrated of trying to force Lizzie to eat the fruit so they went on their way, leaving her alone. Lizzie made her way home back to her sick sister and told Laura to drink the juices and eat the pulp off of her body. Laura does so and by the next day she was back to her old self. Lizzie’s brave actions to save her sister’s life made Laura realize the strength of sisterly love and the dangers of the goblin merchants’ fruits, and the poem ends with the two girls grown up, teaching their children these same lessons.
Christina Rossetti used a lot of symbolism in her poem. The two girls, Laura and Lizzie, were described as very innocent and pure; the part when the girls went to sleep in the bed that they shared (lines 184-198), Rossetti used words such as blossoms, flakes of snow and wands of ivory to describe them. She adorned her two characters with hair of gold, which was precious to the goblin merchants (hence why they traded their fruit for a lock of Laura’s hair). Even the part when Laura was being entranced by the goblin merchants (lines 81-85), Rossetti used words such as swan, lily and moonlit branch to describe the girl.
            On the other hand, the goblin merchants were described as horrible little creatures. They were often referred to as evil and were portrayed as animalistic, both in looks and in actions. They made obnoxious sounds and touched Lizzie inappropriately.
There are three major archetypes found in “The Goblin Market”. First, Laura is portrayed as “The Innocent”, who is an inexperienced that is exposed to evil; Lizzie is depicted as “The Wise Old Woman” because she is “a character that assists or guides the protagonist”; lastly, the goblin men were the monsters or villains of the poem, since they were the antagonist characters.
(The definitions of these archetypes were found on the following website: http://www.peninsula.wednet.edu/classroom/robisonp/unit%204%20trad%20archetype%20list.htm)
            This poem was written with so much emotion and passion in the symbolism and descriptions that it makes me feel that either Christina Rossetti herself or a female who was close to her had experienced some heart-wrenching wrong doing from a man. The women in the poem were glorified in their descriptions that depicted them as innocent and pure, whereas the men “goblins”, as they were referred to, were evil and malicious. It seems that Rossetti is trying to say that all men are this way because the only time a male character was present, he was a goblin. These goblins are who tempt the women to “eat the fruit”, which leads these women into a complete self-degeneration; the goblins are who corrupted Jeanie, who “dwindled and grew grey” (line 156) before she died after eating the goblin’s fruits. If these metaphors don’t seem an obvious enough reference to demonizing men as corruptors of innocent women, there is a very graphic scene where Lizzie went to the goblin market to get some fruits for Laura, who is already dying from having tasted the fruit, and the goblin men tried to force Lizzie to eat the fruit. This might at first not seem so significant, but the disturbing description of the “juice that syrrupp’d all her face, And lodg’d in dimples of her chin, And streaked her neck which quaked like curd” (lines 434-436) sounds an awful lot like a sexual reference, but more importantly an embarrassing and humiliating sexual reference. Such vivid descriptions from an author usually come out when one is writing about personal experience, which is why I believe that this entire poem was written to share the pain of a woman (that was somehow related to Christina Rossetti, if it wasn’t herself) being degraded and humiliated by a man.